Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Dieupart, Concerto in A minor for Soprano Recorder and Keyboard Reduction. Score and part (pdf)

0 out of 5

$ 10.00

Category: Editions

Description

Francis Dieupart, Concerto in A minor for Soprano Recorder and Keyboard Reduction. Edited by David Lasocki. Keyboard reduction by Robert Paul Block. Originally published by Zen-On, Tokyo, 1976. Republished with a postscript by Instant Harmony, São Paulo, Brazil, 2024.

Dieupart was a French harpsichordist and composer who spent most of his working life in England, playing in concerts and for the theatre. He is best known for his harpsichord suites, which also exist in a version for recorder and basso continuo. This concerto, which survives in a manuscript from the Dresden Court, was probably the one performed by the leading recorder player John Baston in a theatre intermission in 1722. It has an unusual opening movement based on a single motive, a partially florid slow movement, and a sprightly final gigue