Peter Van Heyghen, “The Place of the Recorder in the Performance of Italian Music, c.1600-1690”

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Peter Van Heyghen, one of the most important researchers of recorder history, wrote a celebrated article on “The Recorder in Italian Music, 1600-1670” for the STIMU symposium in 1993, published in its proceedings of 1995 (now available from Instant Harmony). More than 30 years later, he returned to the subject with renewed research and enthusiasm for his doctoral thesis. Read this new research here, free of charge! Practical versions of the material will follow.

Categories: Books, Early Music

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Peter Van Heyghen, “The Place of the Recorder in the Performance of Italian Music, c.16o0-1690” (doctoral thesis, Vrije Universiteit Brussel & Koninklijk Conservatorium Brussel, 2025).